The essay explores how the appropriation of Longinus’ "Peri hupsous" in Renaissance theory and practice contributed to the formation of modern authorship in hexameral poetry by focusing on Torquato Tasso’s Il mondo creato (1594, published posthumously in 1607) and John Milton’s Paradise Lost (1667).

Origins, Authorship, and the Sublime between Late Antique Theory and Renaissance Hexameral Poetry / Montori, Irene. - 214:(2024), pp. 94-120.

Origins, Authorship, and the Sublime between Late Antique Theory and Renaissance Hexameral Poetry

Irene Montori
2024

Abstract

The essay explores how the appropriation of Longinus’ "Peri hupsous" in Renaissance theory and practice contributed to the formation of modern authorship in hexameral poetry by focusing on Torquato Tasso’s Il mondo creato (1594, published posthumously in 1607) and John Milton’s Paradise Lost (1667).
2024
978-90-04-69604-4
Origins, Authorship, and the Sublime between Late Antique Theory and Renaissance Hexameral Poetry / Montori, Irene. - 214:(2024), pp. 94-120.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11588/995039
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