Slittamenti di Schelling: tra arte e mitologia

The paper focuses on some passages within Schelling's philosophy relating to the relationship between art and mythology. By grasping the insistent presence of their themes in the initial momentum phase of his thought, in which their main lines are defined, it intends to show how its subsequent “becoming” is the effect of internal displacements, even more than leaps and fractures, which produced those new arrangements which determined its orientation in the more mature phase.