This paper provides an overview of the use of hollow-clay-pot vaults in Paris in the late 18th century and the first half of the 19th century. Starting with a description of the pots’ artisanal production, the main construction methods of vaults and vaulted ceilings are then presented. Finally, some emblematic interventions using hollow clay pots – both in new buildings and in the restoration of existing ones – are described, grouped into three macro periods: a) the end of the 18th century, b) the 1810s to the 1830s, and c) the 1840s and beyond. The presentation concludes with a reflection on the transition between handmade pots (poteries creuses) and bricks (briques creuses), whose mass production was sanctioned by the Borie patent in the 1840s.
Between Reinterpretation and Experimentation. The Evolution of Hollow-Clay-Pot Vaulting in Paris (18th–19th century) / Romano, Lia. - (2021), pp. 1-31.
Between Reinterpretation and Experimentation. The Evolution of Hollow-Clay-Pot Vaulting in Paris (18th–19th century)
Lia Romano
2021
Abstract
This paper provides an overview of the use of hollow-clay-pot vaults in Paris in the late 18th century and the first half of the 19th century. Starting with a description of the pots’ artisanal production, the main construction methods of vaults and vaulted ceilings are then presented. Finally, some emblematic interventions using hollow clay pots – both in new buildings and in the restoration of existing ones – are described, grouped into three macro periods: a) the end of the 18th century, b) the 1810s to the 1830s, and c) the 1840s and beyond. The presentation concludes with a reflection on the transition between handmade pots (poteries creuses) and bricks (briques creuses), whose mass production was sanctioned by the Borie patent in the 1840s.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.