Around 1456 Porcelio de’ Pandoni composed an epigram designed to be engraved on the base of the famous sculptural group representing the Cariti who found in the garden of Colonna’s residence on the Quirinale. Conserved in Berlin Staatsbibliothek’s manuscript (lat. qu. 390) the epigram appears to be a wonderful example of ecphrastic poetry and documents the antiquarian interests of Pandoni and its links with Colonna family. The essay reconstructs the complicated Fortleben of epigram in the context of the antiquarian interests of Roman Humanism.
Encomio, celebrazione e antiquaria negli Epigrammata "De summis imperatoris laudibus Francisci Sfortiae Mediolanensium ducis" di Porcelio de’ Pandoni / Iacono, Antonietta. - II:(2018), pp. 565-580.
Encomio, celebrazione e antiquaria negli Epigrammata "De summis imperatoris laudibus Francisci Sfortiae Mediolanensium ducis" di Porcelio de’ Pandoni
Antonietta Iacono
2018
Abstract
Around 1456 Porcelio de’ Pandoni composed an epigram designed to be engraved on the base of the famous sculptural group representing the Cariti who found in the garden of Colonna’s residence on the Quirinale. Conserved in Berlin Staatsbibliothek’s manuscript (lat. qu. 390) the epigram appears to be a wonderful example of ecphrastic poetry and documents the antiquarian interests of Pandoni and its links with Colonna family. The essay reconstructs the complicated Fortleben of epigram in the context of the antiquarian interests of Roman Humanism.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
