Il miracolo del nuovo e l’enigma del diverso, ovvero come evitare il successo artistico ed essere felici: Boris Groys e John Cage

The logic of inclusion and exclusion in the system of art of objects and images, which have been produced in the sphere of everyday life, is the basis of logic of the "new". The entry of these objects into museums, as well as the entry of some operations at the concert halls, is not a loss, but the possibility that the "new" is realized in a difference beyond the difference, the examples of which are both in The sublimation of the banal (Cage) and in the museology of the common object (Duchamp).