The controversy and scandal that accompanied the publication of Panormita’s Hermaphroditus did not prevent it from being used as a model, even by those who had condemned it and programmatically rejected its obscenity. Porcelio de’ Pandoni himself, who was the protagonist of a long controversy with the Panormita, in his Epigrammata welcomes the lesson of the Panormita: he hybridizes his epigrammatic vein (modulated mainly on eulogy and celebratory tones), on the one hand with caustic, foul-mouthed, scommatics and invectives, on the other with elegiac insertions on love topics.
Elegia e parodia elegiaca: dall’Hermaphroditus del Panormita agli Epigrammata di Porcelio de’ Pandoni / Iacono, Antonietta. - (2025), pp. 405-431.
Elegia e parodia elegiaca: dall’Hermaphroditus del Panormita agli Epigrammata di Porcelio de’ Pandoni
Antonietta Iacono
2025
Abstract
The controversy and scandal that accompanied the publication of Panormita’s Hermaphroditus did not prevent it from being used as a model, even by those who had condemned it and programmatically rejected its obscenity. Porcelio de’ Pandoni himself, who was the protagonist of a long controversy with the Panormita, in his Epigrammata welcomes the lesson of the Panormita: he hybridizes his epigrammatic vein (modulated mainly on eulogy and celebratory tones), on the one hand with caustic, foul-mouthed, scommatics and invectives, on the other with elegiac insertions on love topics.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


