Among the antecedents that stimulated in Garcilaso de la Vega his project of composing the “églogas”, I due Pellegrini (1527 ca.) by Luigi Tansillo stands out for having provided to the toledan poet both the general plot of Eclogue I as a series of textual passages that mark the stylistic and thematic warp of the poem. The present work aims to deepen in the relation between the two works, in order to evaluate analytically the consistency and the features of the influence exerted by the poem of the Neapolitan.

«Veder tronca la speme e ‘l desir morto». I due pellegrini de Tansillo en la urdimbre estilístico-temática de la égloga I de Garcilaso / Gherardi, Flavia. - In: BULLETIN HISPANIQUE. - ISSN 0007-4640. - 119:2, décembre 2017(2017), pp. 621-638.

«Veder tronca la speme e ‘l desir morto». I due pellegrini de Tansillo en la urdimbre estilístico-temática de la égloga I de Garcilaso

GHerardi flavia
2017

Abstract

Among the antecedents that stimulated in Garcilaso de la Vega his project of composing the “églogas”, I due Pellegrini (1527 ca.) by Luigi Tansillo stands out for having provided to the toledan poet both the general plot of Eclogue I as a series of textual passages that mark the stylistic and thematic warp of the poem. The present work aims to deepen in the relation between the two works, in order to evaluate analytically the consistency and the features of the influence exerted by the poem of the Neapolitan.
2017
«Veder tronca la speme e ‘l desir morto». I due pellegrini de Tansillo en la urdimbre estilístico-temática de la égloga I de Garcilaso / Gherardi, Flavia. - In: BULLETIN HISPANIQUE. - ISSN 0007-4640. - 119:2, décembre 2017(2017), pp. 621-638.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11588/701362
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