The aim of this article is to give an historical perspective on the interpretation of Nietzsche’s pathology. In order to do so, a comparative approach, between Karl Jaspers’ patography of Nietzsche and Gottrfried Benn’s, who, like Jaspers, was a trained physician, is presented. This comparative approach will focus on some key concepts: Nietzsche’s exceptionality, his solitude, and, of course, his illness. The paired analysis of Jaspers’ book, Nietzsche. Einfuhrung in das Verstandis seines philosophieren (1ed. 1936, 2ed. 1946, 3ed. 1949), and Benn’s speech, Nietzsche – nach funfzig Jahren (1950) is expected to provide insight not only on the development of pathography as a “genre”, but also on the cultural debate about Nietzsche in post-WWII Germany. To help in studying such a background, the voice of another important German intellectual, Thomas Mann, is taken into account. Mann, who has always been inspired by Nietzsche, held a speech about him, Nietzsches Philosophie im Lichte unserer Erfahrung, in 1947, the same year in which his book, Doktor Faustus, whose protagonist is an artist suffering from syphilis, was published.
Elementi di una patografia nietzschiana. Tra Karl Jaspers e Gottfried Benn / Galdi, A.. - In: STUDI JASPERSIANI. - ISSN 2283-575X. - XI:(2023), pp. 119-139. [10.26365/1192]
Elementi di una patografia nietzschiana. Tra Karl Jaspers e Gottfried Benn.
A. Galdi
2023
Abstract
The aim of this article is to give an historical perspective on the interpretation of Nietzsche’s pathology. In order to do so, a comparative approach, between Karl Jaspers’ patography of Nietzsche and Gottrfried Benn’s, who, like Jaspers, was a trained physician, is presented. This comparative approach will focus on some key concepts: Nietzsche’s exceptionality, his solitude, and, of course, his illness. The paired analysis of Jaspers’ book, Nietzsche. Einfuhrung in das Verstandis seines philosophieren (1ed. 1936, 2ed. 1946, 3ed. 1949), and Benn’s speech, Nietzsche – nach funfzig Jahren (1950) is expected to provide insight not only on the development of pathography as a “genre”, but also on the cultural debate about Nietzsche in post-WWII Germany. To help in studying such a background, the voice of another important German intellectual, Thomas Mann, is taken into account. Mann, who has always been inspired by Nietzsche, held a speech about him, Nietzsches Philosophie im Lichte unserer Erfahrung, in 1947, the same year in which his book, Doktor Faustus, whose protagonist is an artist suffering from syphilis, was published.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


